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2011 film by Paul Feig

Bridesmaids
Against a red brick wall stand 6 women, 5 are wearing pink bridesmaids dresses, and one is wearing a white wedding dress

Theatrical release poster
Directed past Paul Feig
Written by
  • Annie Mumolo
  • Kristen Wiig
Produced by
  • Judd Apatow
  • Barry Mendel
  • Clayton Townsend
Starring
  • Kristen Wiig
  • Maya Rudolph
  • Rose Byrne
  • Wendi McLendon-Covey
  • Ellie Kemper
  • Melissa McCarthy
  • Chris O'Dowd
Cinematography Robert Yeoman
Edited by
  • William Kerr
  • Mike Sale
Music by Michael Andrews

Production
companies
  • Apatow Productions
  • Relativity Media[1]
Distributed by Universal Pictures

Release dates
  • April 28, 2011 (2011-04-28) (Westwood premiere)
  • May 13, 2011 (2011-05-xiii) (Usa)

Running fourth dimension

 125 minutes[2]
Country United States
Language English
Budget $32.5 million[3] [4]
Box function $288.4 million[v]

Bridesmaids is a 2011 American comedy film directed by Paul Feig, written by Annie Mumolo and Kristen Wiig, and produced past Judd Apatow, Barry Mendel, and Clayton Townsend. The plot centers on Annie (Wiig), who suffers a serial of misfortunes after being asked to serve as maid of laurels for her best friend, Lillian, played by Maya Rudolph. Rose Byrne, Melissa McCarthy, Ellie Kemper, and Wendi McLendon-Covey co-star as Lillian's bridesmaids, with Chris O'Dowd, Rebel Wilson, Matt Lucas, Michael Hitchcock, Jon Hamm, Franklyn Ajaye, and Jill Clayburgh, in her final film appearance, in supporting roles.[6]

Actresses Mumolo and Wiig wrote the screenplay after the latter was cast in Apatow's 2007 comedy picture show Knocked Up, and budgeted at $32.five million. Upon its opening release in the U.s.a. and Canada on May xiii, 2011, Bridesmaids was a critical and commercial success. The film made $26 1000000 in its opening weekend, eventually earning over $288 million worldwide, and surpassed Knocked Up to become the acme-grossing Apatow production to date,[seven] and served as a touchstone for give-and-take about women in comedy.[8] [9] [x]

Bridesmaids was nominated for a Golden Globe Honour for All-time Moving-picture show – Musical or One-act. It received multiple other accolades. In 2012, the film was nominated for both the Academy Award for All-time Supporting Extra for Melissa McCarthy and All-time Original Screenplay for Wiig and Mumolo. This made Bridesmaids the first Apatow-produced moving-picture show to be nominated for an Academy Laurels.

Plot [edit]

Annie Walker is a single woman in her mid-thirties, living in Milwaukee. Her baker failed due to the recession, wiping out her savings, and her young man left her thereafter. Having lost her passion, she works at a jewelry store and shares an apartment with eccentric British immigrant siblings Gil and Brynn. Annie has a casual sexual relationship with the wealthy and self-captivated Ted, but hopes for something more than from him. The only positive presence in her life is her lifelong best friend Lillian. When Lillian becomes engaged to her boyfriend Doug, she asks Annie to be her maid of honor.

At the date party, Annie meets Lillian'south bridesmaids: Lillian'south long-married and contemptuous cousin Rita; Lillian'southward naïve newlywed coworker Becca; Doug's blunt, foul-mouthed merely friendly sis Megan; and the wealthy and bossy Helen, Doug'southward boss' trophy wife. Annie and Helen are shortly jealous of each other'south friendship with Lillian, and the two become increasingly competitive.

Annie takes the bridal party to a Brazilian steak eatery before visiting an upscale bridal shop, where Helen uses her influence to proceeds entry as Annie failed to brand a reservation. While trying on gowns, the entire party – except Helen, who chose not to eat – begins airsickness and experiencing uncontrollable diarrhea from food poisoning, with Lillian voiding her bowels in the eye of the street while wearing a wedding apparel.

Annie's suggestion for a bachelorette party at Lillian's parents' lake house is overruled in favor of a Las Vegas trip planned by Helen. Unable to afford a outset-form ticket and besides proud to allow Helen to pay, Annie books a ticket in economy form. Annie accepts a sedative and liquor from Helen to calm her massive fear of flight and she begins to hallucinate, ending in a paranoid outburst leading to her existence apprehended past a U.S. Air Marshal. The plane makes an emergency landing and the party takes a bus dorsum home. Annie apologizes, but Lillian decides information technology'southward best if Helen takes over planning the bridal shower and wedding.

Annie grows close with Nathan Rhodes, an Irish-American Wisconsin Country Patrol officer who lets her off without a ticket for broken tail lights. Nathan, who had been a client at Annie's bakery, repeatedly encourages her to open a new bakery. Afterwards a romantic night together, Nathan surprises her with baking supplies, but Annie is annoyed and leaves.

Annie is fired from the jewelry store for having a profanity-laden statement with a teenage customer and is then kicked out by her roommates, forcing her to motion in with her mother. She then travels to Helen's home in Chicago for the extravagant conjugal shower, which is Parisian-themed - an thought of Annie'due south that Helen had previously rejected. Afterward Helen upstages her heartfelt souvenir by gifting Lillian a trip to Paris, an enraged Annie throws a tantrum and destroys the outside décor; angry that Annie has now ruined every event in her wedding ceremony, Lillian kicks her out of the shower and the wedding. Driving home, Annie's nevertheless-broken taillights result in a motorcar blow but the other driver flees. Nathan arrives on the scene and admonishes Annie for not fixing her tail lights or taking responsibility for her life. Ted arrives to requite Annie a ride, causing Nathan to storm off. When Ted suggests Annie perform oral sex on him in the car, she demands he let her go out and she walks habitation.

Annie becomes reclusive, merely Megan arrives and motivates her to take command of her life. Annie resumes baking, gets her car fixed, and tries to make amends with Nathan, who ignores her. On the twenty-four hours of the wedding, Helen appears at Annie'due south doorstep begging for help finding Lillian, who has disappeared. Helen apologizes to Annie, revealing that people but involve her in their lives considering she is expert at planning events, only she does non have any truthful friends and she finds herself lone a lot. Enlisting Nathan's assistance, they discover Lillian at her own flat, having become overwhelmed by Helen's extravagant wedding planning and fear of leaving her life in Milwaukee. Annie reconciles with Lillian, and resumes her function as maid of award.

Afterward the wedding, Annie and Helen reconcile and concord to go friends. Annie also reconciles with Nathan, and they ride away in his police car.

Cast [edit]

  • Kristen Wiig equally Annie Walker
  • Maya Rudolph as Lillian Donovan
  • Rose Byrne as Helen Harris Iii
  • Melissa McCarthy as Megan Price
  • Wendi McLendon-Covey equally Rita
  • Ellie Kemper equally Becca
  • Chris O'Dowd as Officeholder Nathan Rhodes
  • Jill Clayburgh as Judy Walker
  • Matt Lucas as Gil
  • Rebel Wilson as Brynn
  • Michael Hitchcock as Don
  • Tim Heidecker as Douglas "Doug/Dougie" Price
  • Ben Falcone as Air Marshall Jon
  • Dana Powell as Flight Attendant Claire
  • Mitch Silpa as Flight Bellboy Steve
  • Terry Crews as Rodney
  • Jillian Bell as Daughter at Shower
  • Franklyn Ajaye every bit Lillian'south begetter
  • Matt Bennett equally Helen'due south Stepson

The cast features brief appearances by several actors who played in the television serial The Office, including Jessica St. Clair, Nancy Carell, Hugh Dane and Andy Buckley.

Major uncredited appearances include: Jon Hamm as Ted, Annie'south sexual practice buddy; Grammy Award-winning accordionist, pianist, and composer Nick Ariondo equally the accordion player; and Emmy, Drama Desk and Grammy Laurels winner Pat Carroll equally the one-time woman in car.[ citation needed ]

The flick's co-writers, Wiig and Annie Mumolo, announced together when Mumolo plays the credited role of Nervous Woman on Plane, while the film's director, Paul Feig, appears uncredited as one of the hymeneals guests. Carnie Wilson, Chynna Phillips and Wendy Wilson announced as themselves, performing equally Wilson Phillips at the wedding.[ commendation needed ]

Paul Rudd was to announced equally a homo who Annie goes on a blind date with, but the scene was cut from the last film.

Production [edit]

Writing [edit]

It was only afterwards the motion-picture show was completed that anyone said this had any significance. Nosotros didn't recollect it was whatever different than something like The Business firm Bunny or Babe Mama. So we didn't think nosotros were breaking whatsoever new ground. We just thought it was a fun thing to practise.

—Producer Judd Apatow[eleven]

The script, originally titled Maid of Honor, was written by actress and screenwriter Annie Mumolo and Kristen Wiig.[11] Friends for years, they met at The Groundlings, a Los Angeles-based improvisational comedy troupe where they wrote sketches with one another, in the early 2000s.[11] The basic premise for the picture show originated in 2006, presently after Wiig was cast in the supporting role of a passive-aggressive cablevision television executive in producer Judd Apatow's comedy film Knocked Up (2007).[xi] Recognizing her comedic talent, Apatow asked Wiig if she had any ideas for a screenplay herself – a practise which had previously led to Steve Carell's thought for The twoscore-Year-Old Virgin (2005) – and she and Mumolo presently came up with Bridesmaids.[11] Over the following years, writing commenced, with Wiig working on Sat Nighttime Alive in New York City and Mumolo grinding out the script in Los Angeles.[12] The two would see on weekends and bear semi-regular table reads of drafts for Apatow to become his suggestions and notes.[xi]

Casting and filming [edit]

Several actresses auditioned for the role of Megan, including Insubordinate Wilson and Busy Philipps, the latter of whom had worked with Apatow and Feig on their one-act-drama television series Freaks and Geeks.[13] Wilson, who improvised for Apatow and Feig for an hour during her audition, impressed them so much that she was afterwards bandage in the smaller role of Brynn. It marked her beginning advent in an American production.[14] Mindy Kaling read for the part of Lillian, eventually losing to Wiig's Saturday Nighttime Live colleague Maya Rudolph.[fifteen] Rose Byrne initially also auditioned for Lillian, but later took the opportunity to read Helen.[xvi] Byrne was eventually chosen as the nemesis because she wasn't a comedian as Feig feared the character would be "coming out to be likewise arch if we had a funny woman doing it."[17] Greta Gerwig and Judy Greer also auditioned for unspecific roles.[xviii] [19]

Bridesmaids was budgeted at $32.5 million.[20] Though primarily fix in Milwaukee and Chicago, principal photography actually took identify in Los Angeles, California.[21] Production designer Jefferson Sage, who has worked with Apatow and Paul Feig since their Freaks and Geeks days, noted that the first fact that appealed to him about the project "was that you had these 2 disparate worlds: There was Annie's world in Milwaukee, then there was Helen'due south world in Chicago. It immediately drew this dichotomy between the rivalry that developed between them."[21] Still, Sage acknowledged that it was a claiming to find "compages that would give us those Midwestern worlds. Chicago is a beautiful, distinctive city architecturally, and restricted views of downtown L.A. feel like Chicago."[21] The production decided to employ the Los Angeles County Arboretum and Botanic Garden as the location for Lillian and Dougie's nuptials.[21] Additional scenes where Annie meets Officer Rhodes on the highways between Milwaukee and Chicago were filmed in Oxnard, California, which Sage described every bit a "broad, apartment, green area away from mountains."[21]

Reception [edit]

Disquisitional response [edit]

Bridesmaids received positive reviews upon its release, with praise towards Wiig and Mumolo's screenplay and too McCarthy's performance. The review aggregator website Rotten Tomatoes reported that ninety% of critics gave the movie a positive review based on 293 reviews, with an boilerplate score of seven.sixty/10. The site's disquisitional consensus states: "A marriage of genuine characters, gross out gags, and pathos, Bridesmaids is a female-driven comedy that refuses to be boxed in as Kristen Wiig emerges every bit a real star."[8] Metacritic gives the film a score of 75 out of 100 based on reviews from 39 critics, indicating "by and large favorable reviews".[22] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[23]

Roger Ebert gave the film three.5 stars of out iv, and said that Bridesmaids "seems to be a more or less deliberate effort to cantankerous the Chick Flick with the Raunch Comedy. It definitely proves that women are the equal of men in vulgarity, sexual frankness, lust, vulnerability, overdrinking and insecurity ... Dearest him or not, Judd Apatow is consistently involved with movies that connect with audiences."[24]

Ms. magazine noted, to its "indelible surprise," that despite the involvement of Apatow, and "washed and done and washed" themes, the film passed the Bechdel test of female person-driven storylines.[25]

Critic Owen Gleiberman of Entertainment Weekly pointed out the significance of Bridesmaids ' success as follows: "And so far, the message that Hollywood seems to have taken from the incredible success of Bridesmaids is a predictably reductive i, something along the lines of: Hey, look! Raunchy comedies for women with crawly grossout scenes in the middle of them can exist big box office too!! The message that Hollywood should be taking is: A comedy that'south raunchy and fearless, and besides brilliantly written and shrewdly honest almost what'due south actually going on in women's lives, may really connect with the fabled non-teenage audience (remember them?)."[26]

Many critics, like Mary Elizabeth Williams of Salon (who called Bridesmaids the "starting time black president of female person-driven comedies"[27]) labeled the film as "a quantum for female person-centered comedy, and feminist to boot."[28] It was also credited with proving that "women could pull off a good fart joke also every bit the next guy, and did what seemed like the impossible: leading an all-female person cast to blockbuster success."[29]

Despite the majority of praise, the film was not without its detractors. Abby Koenig of The Houston Press enjoyed Kristen Wiig's comedic talents, merely disliked the frequency of "raunchy jokes" throughout the film, writing that "nosotros need more than funny females getting the spotlight. However, we as well demand women that tin cleft you up without making you watch them accept diarrhea".[30] Karina Longworth of The Village Voice criticised the inconsistency of the film'due south tone, stating that certain scenes have "a kind of dumb crassness that works against Bridesmaids' ofttimes smart, highly grade-witting deconstruction of female friendship and competition. One-act of humiliation is i thing; a fat lady shitting in a sink is another."[31]

Box office [edit]

Bridesmaids surpassed Knocked Up to get the top-grossing Judd Apatow production to date,[32] [33] grossing $26,247,410 on its opening weekend and settling for a strong second identify behind Thor.[4] [34] Bridesmaids grossed $169,106,725 at the North American domestic box function and $119,276,798 in international markets, totalling $288,383,523.[four] Universal reported that males fabricated upwards 33 percent of the movie'southward audience and that 63 per centum of the audition was over the age of 30.[34] [35]

Accolades [edit]

McCarthy was nominated for the 2012 Academy Honor for All-time Supporting Actress, BAFTA Award for Best Actress in a Supporting Part, and Screen Actors Lodge Laurels for Outstanding Performance by a Female Actor in a Supporting Office.[36] [37] [38]

List of awards and nominations
Award Category Recipients Result
Academy Awards Best Supporting Actress Melissa McCarthy Nominated
Best Original Screenplay Kristen Wiig and Annie Mumolo Nominated
American Film Institute[39] Movies of the Year Bridesmaids Won
Fine art Directors Guild Award[xl] Excellence in Production Design for a Gimmicky Film Jefferson Sage Nominated
Boston Society of Movie Critics Best Supporting Actress Melissa McCarthy Won
British Academy Moving picture Awards Best Actress in a Supporting Role Melissa McCarthy Nominated
Best Original Screenplay Kristen Wiig and Annie Mumolo Nominated
Blackness Reel Awards Best Supporting Actress Maya Rudolph Nominated
BMI Picture show & Television set Awards[41] Film Music Accolade Michael Andrews Won
Chicago Film Critics Association All-time Supporting Actress Melissa McCarthy Nominated
Costume Designers Guild Excellence in Contemporary Film Leesa Evans, Christine Wada Nominated
Critics' Selection Awards[42] Best Acting Ensemble Bridesmaids Nominated
Best One-act Bridesmaids Won
Best Supporting Actress Melissa McCarthy Nominated
Dallas–Fort Worth Film Critics Clan Best Supporting Actress Melissa McCarthy fourth Place
Detroit Film Critics Society[43] Breakthrough Performance Melissa McCarthy Nominated
Golden Globe Awards All-time Motion Picture – Musical or Comedy Bridesmaids Nominated
Best Actress – Motion Flick Musical or One-act Kristen Wiig Nominated
Houston Film Critics Society Best Supporting Actress Melissa McCarthy Nominated
New York Picture show Critics Online[44] All-time Ensemble Cast Bridesmaids Won
All-time Supporting Extra Melissa McCarthy Won
MTV Moving-picture show Awards[45] Movie of the Year Bridesmaids Nominated
Best Female Performance Kristen Wiig Nominated
Best Comedic Performance Kristen Wiig Nominated
Best Comedic Functioning Melissa McCarthy Won
Best Breakthrough Functioning Melissa McCarthy Nominated
Best Cast Bridesmaids Nominated
Best Gut-Wrenching Operation Kristen Wiig, Maya Rudolph, Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Ellie Kemper Won
All-time On-Screen Dirt Bag Jon Hamm Nominated
NewNowNext Awards[46] Next Must-Run across Movie Bridesmaids Won
Online Film Critics Society[47] Best Supporting Actress Melissa McCarthy Nominated
People'southward Choice Awards[48] Favorite One-act Movie Bridesmaids Won
Favorite Ensemble Motion picture Cast Bridesmaids Nominated
Producers Guild of America[49] Best Theatrical Motility Picture Judd Apatow, Barry Mendel, Clayton Townsend Nominated
Screen Actors Club Accolade[50] Outstanding Operation by a Cast in a Motion Picture Bridesmaids Nominated
Outstanding Performance by a Female Role player in a Supporting Role Melissa McCarthy Nominated
St. Louis Gateway Motion picture Critics Association All-time Comedy Bridesmaids Won
Teen Choice Awards[51] Selection Movie – Comedy Bridesmaids Nominated
Choice Motion picture Extra – Comedy Kristen Wiig Nominated
Pick Movie Actress – One-act Maya Rudolph Nominated
Choice Motion picture Hissy Fit Kristen Wiig Nominated
Choice Movie Scene Stealer – Female Melissa McCarthy Nominated
Washington D.C. Area Film Critics Association[52] All-time Supporting Actress Melissa McCarthy Nominated
Best Original Screenplay Kristen Wiig and Annie Mumolo Nominated
Best Ensemble Bridesmaids Won
Writers Club of America Award All-time Original Screenplay Kristen Wiig and Annie Mumolo Nominated

Home media [edit]

Bridesmaids was released on DVD and Blu-ray Disc in theatrical (125 minutes) and unrated (130 minutes) versions on September 20, 2011.[53] Special features include a Line-O-Rama (a feature popular among Apatow releases), deleted, extended, and alternate scenes, and a Cholodecki's jewelry store commercial. Another edition commemorating the 100th anniversary of Universal Studios was released on September 4, 2012.

Cancelled sequel [edit]

In Jan 2012, industry sources reported that Universal was interested in developing a sequel to Bridesmaids. When discussing the potential of a Bridesmaids 2, producer Apatow was quoted as saying, "The fundamental is we accept to come up up with an idea that is every bit good or improve than the first 1."[54] In an interview with Vanity Fair, managing director Paul Feig addressed rumors of a sequel, maxim "Everyone's very busy right now is one of the problems, and kind of doing their own thing, but we're very open to it."[55]

When asked most her potential involvement, Wiig told The Hollywood Reporter, "Nosotros aren't working on that. Annie [Mumolo] and I aren't planning a sequel. Nosotros are writing something else."[54] Following Wiig's statement, reports surfaced that Universal was interested in proceeding without her, instead focusing on developing a story most McCarthy'south graphic symbol Megan. McCarthy dispelled the rumors that she would consider returning for a sequel without Wiig saying, "God, I wouldn't desire to. I would never want to. I think it's a terrible idea. I don't know anything about it. But I know that nobody wants to do it unless it's great. If it is, I will show up wherever those ladies are."[56]

References [edit]

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  56. ^ Marc Malkin (January 9, 2012). "Melissa McCarthy Slams Bridesmaids Sequel Without Kristen Wiig: "It's a Terrible Idea!"". E! Online . Retrieved May xiii, 2013.

External links [edit]

  • Official website
  • Bridesmaids at IMDb
  • Bridesmaids at Box Office Mojo
  • Bridesmaids at Rotten Tomatoes
  • Bridesmaids at Metacritic
  • Bridesmaids at The Numbers

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Source: https://en.wikipedia.org/wiki/Bridesmaids_%282011_film%29

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